Because they’re small shorts that are all cut together, we all end up being credited on all the episodes, which is nice for us. HERNÁNDEZ: I think we all agreed that it was the best episode, and I believe that the writers also submitted the exact same episode. HULLFISH: You guys were nominated for a specific episode how did that get chosen? Was it by the editors or the producers? What made you think to nominate this episode in particular? And Jessica rounds out the list with experience that includes Imposters, Claws, and Mayans, MC.Ĭheck out the Art of the Cut podcast to listen to this interview, and stay up to date on all the latest episodes. On the last two, she worked with Stephanie, who has also worked on shows including Supervillain: The Making of Tekashi 6ix9ine, Keeping Up with the Kardashians, and Lindsay Lohan’s Beach Club. One of the nominations is for Outstanding Picture Editing for Variety Programming, which is why we’re thrilled to be talking to Daysha Broadway, Stephanie Filo, and Jessica Hernández, who cut the chosen episode Sister, May I Call You Oshun?īefore #ABLSS, Daysha had a hand in a wide range of docs and episodics, including Boomerang, Surviving R. HBO’s A Black Lady Sketch Show is currently fielding eight nominations in this year’s Emmy Awards and with a 100 percent fresh rating from the critics on Rotten Tomatoes it seems likely to be taking home a statuette or two this September.
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